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How to: Tamron Pro Tips For Wedding Photos


Wedding season is fast approaching, which means it’s time to gear up for plenty of romance—as well as the responsibility that comes with documenting one of the most important days in a couple’s journey together.

Gaining an understanding of their personalities, researching the logistics of the wedding venue, and setting up a mental list of “must take” photos is all part of a wedding photographer’s to-do list, as is knowing which lenses to bring to the big day. From the 28-75mm F/2.8 Di III VXD G2 and 35-150mm Di III VXD zooms, to the 70-180mm Di III VXD telephoto, all designed for Sony full-frame mirrorless camera systems, Tamron offers a variety of options to ensure you don’t miss a single magical moment. Here, our experts share tips on how they use their Tamron lenses to capture everything from the “I do’s” to the last dance of the night.

Tip #1) UP YOUR F-STOP GAME. Use slightly higher f-stops when capturing the wedding party walking down the aisle. Photographers often fall so in love with shooting at, say, F/1.4 that they may neglect to take in the details of the overall scene. Using an f-stop at F/2 or F/4 helps ensure more of your subject is in focus.


© Scott Stockton
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Tip #2) MAXIMIZE WINDOW LIGHT. Any time I’m taking pictures of the bride getting ready, I always place her by a window to situate her in beautiful natural light. Make sure you turn off all indoor lights if you do this: The light coming in from outside will be a different color than the lighting inside, which can muddy your white balance.


© Scott Stockton
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Tip #3) HELP HIM RELAX. Grooms often aren’t that comfortable in front of the camera, so I like to put them more at ease by sitting them down and giving their hands something to do. In this photo here, the guys were sipping on whiskey in the bridal suite, so I had the groom hold his crystal glass and look out the window to place more light on his face.


© Scott Stockton
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Tip #4) ADD LAYERS. I did that here by placing the bride’s flowers in the foreground on top of a coffee table, then getting real close with my camera and shooting through them. Incorporating these layers of out-of-focus objects in the fore-ground or background, in contrast with my subjects, adds a little intrigue.


© Scott Stockton
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